[This is a guest article by Sidney and was first published at Inkplum]
Harlan Pfeiffer did a series of naturist films, and books in the 1960’s. The above still is from “Peter, and the Desert Pirates”. This lost film is considered as the prequel to “Genesis Children”. No surprize since many of the same boy actors, and crew worked on both.
Sadly the film is nolonger available. It was never publicly shown, and only a few copies were made. By the 1970’s it had vanished. I’ve read that a VHS edition of stills from the production was availble for a short time in the late 1980’s, but the trail is cold after that.
As I mention at various times on these pages Queer history matters. All Queer history including, and perhaps especially Queer Man/Boy love history matters. That is to say the artifacts of Boys, and Boylovers matter, and are important.
If possible they should be found, and properly preserved. As opposed to being closely examined for leads to possible arrests,…then destroyed. In this case I fear all that is left of “Peter, and the Desert Pirates” are random stills. One hopes an intact 16mm copy will one day surface, and be protected as a legitimate historical doucument.
Over half a million photos have been leaked on BitTorrent, and the catch here is that all the leaked photos have been taken from private albums on MySpace. Sounds cool right? But since you can’t upload nude shots to MySpace it’s not that exciting. I checked the first 32 000 photos and the best photo I got was the one below. Next time they should try PhotoBucket
In case you want to check the other photos I didn’t see: Get the Torrent
Neapolitan Fisherboy Playing with a Tortoise
by François Rude (1784 – 1855)
Marble, 1831-1833 | Louvre, Paris
Rudes great success dates from 1833, when he received the cross of the Legion of Honour for his statue of a Neapolitan Fisher Boy playing with a Tortoise (now in the Louvre), which also procured for him the important commission for all the sculptural frieze ornament and one group on the Arc de Triomphe, in Paris. [Source: Wikipedia]
I felt in love with neoclassical sculputures when I saw this boy in Paris on a school trip. I was 14 and too young (I guess) to get excited about paintings but these plastic boys got my attention immediately. I stood there in front of this boy with mixed feelings… his face, his look was so natural… it was kinda spooky in a good, a wonderful way. On the other hand I felt a bit guilty cause I thought everybody who’s seeing me standing there had to think I’m just looking at his dick
This cheerful boy, playing with a tortoise held captive by a reed, caused heated controversy at the Salon of 1833. For the first time, an artist had sculpted a lifesize marble of a picturesque figure, an anecdotal subject. It marked a complete break with classical ideology, whereby genre scenes were considered to be unworthy of statuary art, especially in a medium as noble as marble. Rude’s theme and style also contradicted classical canons. Although reminiscent of antique sculpture, the work was imbued with an unprecedented feeling of freedom and freshness. The boy is naked like the heroes of mythology, but his body is not idealized and his hearty laugh reveals his teeth, a real breach of good taste. The tradition of representing children at play did exist in Hellenistic sculpture, but Rude emphasized the popular, lively aspect of his depiction. The child seated on a net is a young fisher boy, whose bonnet and scapular (the devotional object around his neck) show that he is from Naples. His attitude is carefree and his entire face – crinkled eyes, dimples, open mouth – is laughing. [Louvre]