Marble Monday *6

The story of the Pisan traitor Ugolino della Gherardesca, imprisoned with this sons and condemned to starvation, was told by Dante in The Inferno. Carpeaux shows the anguished father resisting his sons’ offer of their own bodies for his sustenance. AG has more photos on his Tumblr.


Marble Monday *5

Please leave a comment if you have more photos of this :)


Marble Monday *4

Hyacinth by François Joseph Bosio

There’s a beautiful painting of the death of Hyacinth by Jean Broc which you can see here.

Hyacinth was a beautiful boy and lover of the god Apollo, though he was also admired by West Wind, Zephyr. Apollo and Hyacinth took turns throwing the discus. Hyacinth ran to catch it to impress Apollo, was struck by the discus as it fell to the ground, and died. A twist in the tale makes the wind god Zephyrus responsible for the death of Hyacinth. His beauty caused a feud between Zephyrus and Apollo. Jealous that Hyacinth preferred the radiant archery god Apollo, Zephyrus blew Apollo’s discus off course, so as to injure and kill Hyacinth. When he died, Apollo didn’t allow Hades to claim the boy; rather, he made a flower, the hyacinth, from his spilled blood.


Marble Monday *3

Castor & Pollux


Marble Monday *2

Un secret d’en Haut by Hippolyte Moulin | Submitted by Gijsbert


Finally, Milo

A fan of Milo couldn’t stand the never ending teasing anymore apparently and took matters into his or her own hands to make sure we’re all getting to see what many were waiting for so eagerly…


Marble Monday *1

Fisher Boy by Hiram Powers | Thanks to eely for coming up with this theme day’s name


The Dream Ahead of You

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Photo by Muchachomalo [HQ Version] | Submitted by Kevin


Bill Henson Returns

A new show by the acclaimed photographer Bill Henson will feature portraits of figures, similar to images of naked teenagers that provoked controversy and a police raid of his show at a Sydney gallery in 2008.

The invitation to Henson’s upcoming exhibition at Roslyn Oxley9 Gallery features a photo of a teenage boy, bare-chested and glistening with sweat, looking pensively away from the camera. Henson has not decided which photos will be shown at the exhibition, which opens on September 20, but in an interview with the Herald‘s art critic John McDonald in this Saturday’s Spectrum, he said "It will focus more on the body, and less on landscape."

It is in stark contrast to Henson’s 2010 exhibition at the Paddington gallery, his first show following the police raid, which appeared to disappoint his detractors by featuring works that were mostly landscapes and architectural ruins. "He ignited controversy – now he’s ditching it," was the title of column in response. However, gallery owner Roslyn Oxley said the show includes both landscape and figurative works that represent themes Henson has explored for more than three decades.

Following the controversy over Henson’s photos, the government of New South Wales, Australia changed its child pornography laws in 2010, removing the defence of artistic purpose. The law change meant artists who create images of naked children have to pay for a Commonwealth classification to ensure against prosecution. Roslyn Oxley9 Gallery submitted works from Henson’s 2010 exhibition to the Classification Board, which ruled they would be "unlikely to offend a reasonable adult".

Oxley said the 2008 scandal had not affected Henson’s work. "There has been no impact. People who love and respect Bill Henson’s work continue to love and respect his work." Last year, Henson gave a speech in which he described the 2008 scandal as "at best inconvenient". In 2008, Henson’s show at Roslyn Oxley9 was raided by police following accusations of child pornography. Several photos were seized, investigated and Henson’s work was labelled "revolting" and "devoid of artistic merit" by the then prime minister, Kevin Rudd.

In contrast, the then opposition treasury spokesman Malcolm Turnbull, who owns Henson works, criticised the police raids of galleries displaying photos by Henson. Criminal investigations into Henson were widened to include previous work and other galleries were forced to remove his photos from display. But three weeks later, the NSW Director of Public Prosecutions decided not to proceed with any charges and the seized photos were returned to the gallery.

Henson is one of Australia’s most highly regarded contemporary artists, having represented the country at the Venice Biennale. He has been the subject of exhibitions at major galleries, including the Art Gallery of NSW, which holds almost 70 works by Henson, including landscapes, ruins and figures. "We obviously think he is very important in Australian art," said the gallery’s curatorial director and head of international art, Tony Bond. "I think Henson’s imagination and the depth of his cultural engagement is quite extraordinary."

Henson said he did not seek out controversy. "Some people decide they want to be controversial," he said. "I don’t know who in their right mind could be so stupid."

Found by Will_2010, via The Age and the SMH



In his Half-Drag series, New York photographer Leland Bobbé captures the two sides of the city’s drag queens — the extravagantly made-up drag divas and the organic men that lie beneath.

"Through the power of hair and makeup these men are able to completely transform themselves and find their female side while simultaneously showing their male side," he says. And the identities are composed in camera and are not separate images joined during editing.


Bobbé posted the first portrait of the Half-Drag series on his blog last March, writing, "I got great feedback on the image so I decided to reach out to other drag queens… I’ve now shot four people with many more on the way. We’ll see where this takes me…” Five months later, the project has taken the award-winning photographer far: It has been featured in Italian Vogue, fashion site Refinery 29, as well as in other websites and blogs from around the world. (via the HuffPo Gay Voices)